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Background Readings for Teachers of American Literature

by Venetria Patton

Table of Contents

Background Readings for Teachers of American Literature

First Edition ©2006

ISBN-10: 0-312-44518-0
ISBN-13: 978-0-312-44518-8
Instructor Resources, 368 pages

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Authors

Preface


1 CHALLENGES OF TEACHING AMERICAN LITERATURE


American Literary Studies to the Civil War
CECELIA TICHI


American Literary and Cultural Studies since the Civil War
PHILIP FISHER


The End of "American" Literature: Toward a Multicultural Practice
GREGORY S. JAY


2 CONSIDERING LITERARY AND SOCIAL MOVEMENTS


The Puritan Vision of the New World
SACVAN BERCOVITCH


What American Renaissance? The Gendered Genealogy of a Critical Discourse
CHARLENE AVALLONE


Realism and Naturalism: The Problem of Definition
DONALD PIZER


Towards a Definition of American Modernism
DANIEL JOSEPH SINGAL

Revisioning the Harlem Renaissance
VENETRIA K. PATTON AND MAUREEN HONEY


3 CONSIDERING IDENTITIES


Assumed Identities
DAVID PALUMBO-LIU


Interrogating "Whiteness," (De)Constructing "Race"
ANNLOUISE KEATING


Introduction to American Indian Literatures
A. LAVONNE BROWN RUOFF


Mexican-American Literature
ADA SAVIN


African-American Literature: A Survey
TRUDIER HARRIS


Asian American Literature
ELAINE H. KIM


Treason Our Text: Feminist Challenges to the Literary Canon
LILLIAN S. ROBINSON


Manhood, Class, and the American Renaissance
DAVID LEVERENZ


From
Gender Studies, Queer Theory, Gay/Lesbian Studies
MICHAEL RYAN 


4 CONSIDERING THE GEOPOLITICAL


Nineteenth-Century United States Literary Culture and Transnationality
JOHN CARLOS ROWE


Manifest Domesticity
AMY KAPLAN


American Literary Emergence as a Postcolonial Phenomenon
LAWRENCE BUELL


5 APPROACHES IN THE CLASSROOM


Liberating Students through Reader-Response Pedagogy in the Introductory Literature Course
LOIS P. TUCKER


Bringing New Historicism into the American Literature Survey
MARGARET FAYE JONES


Early Anglo-American Poetry: Genre, Voice, Art, and Representation
WILLIAM J. SCHEICK


Portrait of the Artist as a Young Slave: Douglass’s Frontispiece Engravings
ED FOLSOM


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