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David M. Johnson

David M. Johnson (PhD, University of Connecticut), professor emeritus of English at the University of New Mexico, has taught courses in world literature, mythology, the Bible as literature, philosophy and literature, and creative writing since 1965. He has written, edited, and contributed to numerous scholarly books and collections of poetry, including Fire in the Fields (1996) and Lord of the Dawn: The Legend of Quetzalcoatl (1987). He has also published scholarly articles, poetry, and translations of Nahuatl myths.

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Marilynn S. Johnson

Marilynn S. Johnson (PhD, New York University) is a professor of history and chair of the history department at Boston College. Johnson’s research interests center on urban, immigration, and western history. Her most recent book, Street Justice: A History of Police Violence in New York City (Beacon Press, 2003) explored the history of police brutality from the mid-nineteenth to late twentieth century. Her previous book, The Second Gold Rush: Oakland and the East Bay in World War II, (University of California Press, 1993) won the Sierra Prize from the Western Association of Women’s Historians. Currently, she is working on a history of new immigrants in Boston from 1965 to the present.

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Michael P. Johnson

Michael P. Johnson (Ph.D., Stanford University) is professor of history at Johns Hopkins University. His publications include Toward a Patriarchal Republic: The Secession of Georgia; Abraham Lincoln, Slavery, and the Civil War: Selected Speeches and Writings; and Reading the American Past: Selected Historical Documents, the documents reader for The American Promise. He has also coedited No Chariot Let Down: Charleston’s Free People of Color on the Eve of the Civil War with James L. Roark.

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T. R. Johnson

T. R. Johnson has directed the writing program at Tulane University since 2004. He is the author of A Rhetoric of Pleasure: Prose Style and Today's Composition Classroom and the coeditor with Tom Pace of Refiguring Prose Style: Possibilities for Writing Pedagogy. He hosts a weekly radio program devoted to contemporary jazz every Tuesday at 4:00 p.m. CST at www.wwoz.org.  He has taught at Boston University, the University of New Orleans, and the University of Louisville. His work has appeared College English, JAC, and College Composition and Communication.

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Chalmers Johnson

Chalmers Johnson, president of the Japan Policy Research Institute, is the author of the bestselling books Blowback, The Sorrows of Empire, and Nemesis, which make up his Blowback Trilogy. He has written for the Los Angeles Times, the London Review of Books, Harper's Magazine, The Nation, and TomDispatch.com.

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Paul E. Johnson

Paul E. Johnson, professor of history at the University of South Carolina, is the author of A Shopkeeper's Millennium, Sam Patch, the Famous Jumper and coauthor, with Sean Wilentz, of The Kingdom of Matthias. He lives in Columbia, South Carolina, and Onancock, Virginia.

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Linck Johnson

Linck Johnson (BA, Cornell University; PhD, Princeton University), the Charles A. Dana Professor of English at Colgate University, has taught courses in writing and American literature and culture since 1974. He is the author of Thoreau's Complex Weave: The Writing of "A Week on the Concord and Merrimack Rivers," with the Text of the First Draft, the Historical Introduction to A Week in the Princeton University Press edition of The Writings of Henry D. Thoreau, and numerous articles and contributions to books. The recipient of a National Endowment for the Humanities Fellowship at the American Antiquarian Society, he is a member of the Editorial Board of the Collected Works of Ralph Waldo Emerson and ESQ: A Journal of the American Renaissance.

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James Weldon Johnson

James Weldon Johnson (1871-1938) was a prolific writer and legendary civil rights activist who produced several novels, a pioneering work of cultural history, the first major anthology of black poetry, and numerous treatises on race relations. He served as U.S. consul to Venezuela and Nicaragua and as secretary of the NAACP.

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Ernest Jones

Camara Laye was born in 1928 in the village of Koroussa, French Guinea. He was still in his twenties and studying engineering in France when he wrote The Dark Child. He died in Senegal in 1980.

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Jay Jordan

Jay Jordan is Assistant Professor of English in the University Writing Program at the University of Utah, where he coordinates first-year composition. His research interests include second language writing, English as an international language, rhetoric and design, and histories of rhetoric. He teaches undergraduate and graduate courses on writing, writing pedagogy, and rhetorical theory and history. He has published in CCC, College English, and Rhetoric Review, and his work has appeared in several edited collections. He is coeditor of Second Language Writing in the Composition Classroom: A Critical Sourcebook (Bedford/St. Martin’s) and of Reinventing Identities in Second Language Writing (NCTE). He is currently finishing a book manuscript on how second language writers negotiate curricula in typical US composition courses. He is active in CCCC and NCTE.

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Peniel E. Joseph

Peniel Joseph is Professor of History at Tufts University.

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James Joyce

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Chris Juzwiak

Chris Juzwiak holds an MA in Comparative Literature from the University of California, Los Angeles, and is ABD. He has taught college-level literature and composition for twenty-three years and is currently chair of the Developmental Composition Program at Glendale Community College. Under the auspices of grants from the Carnegie and Hewlett Foundations and the California Basic Skills Initiative, Chris has pioneered new pedagogical approaches to development composition instruction. He is coauthor of “Pedagogies of Visibility: The Full E-mersion and Beyond,” an article in the spring 2009 edition of New Directions for Community Colleges. In addition, Chris has presented his work at ISSOTL, the League for Innovation, ECCTYC, Strengthening Student Success, the California State Academic Senate, and the Carnegie and Hewlett Foundations. At Glendale College, he has received the John Craven Award for innovative composition instruction and in 2010, the Distinguished Faculty Award. His latest project, IMPACT (Incremental-Motivational Pedagogy, Assessment-Cycles Training), is a distillation of ten years of pedagogical research and innovation, and is now used in all the developmental composition classes at his college.

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