Timothy Corrigan is a Professor of English, Cinema Studies, and History of Art at the University of Pennsylvania. His work in Cinema Studies has focused on modern American and contemporary international cinema. He received a BA from the University of Notre Dame, and completed graduate work at the University of Leeds, Emory University, and the University of Paris III. His books include New German Film: The Displaced Image (Indiana UP), The Films of Werner Herzog: Between Mirage and History (Methuen); Writing about Film (Seventh Edition, Longman); A Cinema without Walls: Movies and Culture after Vietnam (Routledge/Rutgers UP); Film and Literature: An Introduction and Reader (Second Edition, Routledge); The Film Experience (Second Edition, Bedford/St. Martin’s, coauthored with Patricia White); Critical Visions: Readings in Classic and Contemporary Film Theory (Bedford/St. Martin’s, coauthored with Patricia White); and The Essay Film: from Montaigne, after Marker (Oxford UP, forthcoming). He has published essays in Film Quarterly, Discourse, and Cinema Journal, among other collections, and is also an editor of the journal Adaptation and an editorial board member of Cinema Journal.